Tomorrow Is Promised to No One

“Some days are diamonds

Some days are rocks”

 

Two years ago today, I was serving as a dramaturge for a production of Twelfth Night.  I was also assistant stage manager and a costuming assistant – these things happen when you can’t say no.  Shakespeare in the Park – a lovely July afternoon.

Two hours before curtain, the actor playing Fabian became ill and needed to go to the hospital (she was in the military – and she’s kind of a bad-ass – so if she needed to go, you knew it was serious).  Community theatre being what it is, we didn’t have a roster of understudies.  The director asked an actor with a smaller part, but he said he did not feel confident switching.  I think the director was considering going on himself.  I said that I would do it.  

It made sense, really.  I’d been at most every rehearsal, I had done detailed annotations on the script, and I’d spent many nights reading parts when people needed to miss.  We even had roughly the same build, so I could fit into the costume.  And, once upon a time, I had been an acting major.  I hadn’t been on a stage in nearly 20 years, but the show must go on, right??  So I crammed like hell and prayed that I wouldn’t throw up.

I didn’t have all the blocking down – and I missed a few lines – but I did manage to get both the longer speeches correct.  It felt amazing.

It made me remember how I loved acting – the fun of live theatre, the joy of the words.  I started acting when I got the leads in my third grade class plays (head pilgrim’s wife and last year’s rag doll, if you must know) – mainly due to my memorization abilities.  Since that evening, I’ve done a couple of local plays (I’ll spare you the Cabaret stories for tonight).  It’s a singular experience, and one I used to enjoy immensely.  I’m glad I got to remember that.

 

A year ago today, I was confined to the house recovering from major surgery – and shocked to hear that a friend had died suddenly and tragically in a bicycle vs car accident.

That sort of thing gives us a very different perspective.

People always talk about living after losing someone – “you have to live for ___ – he/she would want you to!”  It’s a weird way to try to jolt ourselves out of mourning.  To convince ourselves to embrace life even though we’re miserable.

I’ve been thinking about that a lot lately because well, there’s the current state of the world, for one.  But I’ve also lost two friends in the last month, and I’m struggling.  Trying to “live for today” and “make the most of your life!” gets heavy sometimes.  Especially with the stress fatigue that we’re all feeling thanks to the party that is 2020.  

How do we hold on to the feeling, that need to do more and be more and drink deeply of life – without letting it make us maudlin?  How do we keep it encouraging rather than a burden we are not fulfilling?  How do we make it something we are glad to feel despite the pain?

Sadly, I do not currently have the answers.  Though I suppose we can take wisdom from Sleepless in Seattle – and just keep getting up, breathing in and out, and trying.  That’s what we owe ourselves – to keep going.

 

“Some things are over

Some things go on

Part of me you carry

Part of me is gone”

 

Lovers and Madmen Have Such Seething Brains

Today marks the 400th anniversary of William Shakespeare’s death. (The speculation is that William was born and died on the same day. His baptism was on April 26, so the theory is that he was born on the 23. Nice story, anyway.) I admit, I wish I was fabulously wealthy – in which case I would have gone to England to join in the celebrations there.

 

Instead, the cat I’m watching had her kittens today, and I will content myself with giving them all Shakespearean names. (Yes, I know, when they go off to their fur-ever homes, they may get new names like Mr. Meowington or Miss Kitty Soft Paws or Bob. But we each must celebrate as best we can.)

 

I suppose it’s not a surprise that I love Shakespeare since I’m a) a theatre nerd and b) a book nerd. But I owe my first experience with the bard to my eighth grade literature teacher, Mrs. Tucker.

 

At my school we had one teacher for English (grammar, sentence diagramming, paragraph structure, etc.) and another for literature. I already liked Mrs. Tucker because she was the teacher who did the school plays. (Bragging digression – the first time I auditioned for her (for the lead role), she asked if I was planning to audition for any other characters. I said yes, for the secondary role. She asked which I’d rather have. I said the lead, and she told me not to bother auditioning for the other part. Yes, she’s partly to blame for my eventual theatre major, too.)

 

The last project for the year was reading a play. Mrs. Tucker got all of us our own copies of A Midsummer Night’s Dream, and the class read through it, acting out various scenes. It was a fantastic introduction to Shakespeare, and absolutely made him more interesting. Because plays are best when performed. That’s their purpose in life. I’m sounding like Phoebe on Friends worried about trees fulfilling their Christmas destinies, but it’s true. Plays yearn to be acted out. If all they wanted to do was tell a story for someone to read, they’d be a novel or a poem.

 

So my first encounter with Shakespeare was the way Shakespeare is best experienced. And it had a lasting effect. I spent that summer before high school over at the public library reading Shakespeare. The library had a whole collection of the plays bound individually in blue cloth covers. I read a few of the romances and the comedies. I’m certain that I did not get everything that the plays were saying. But I enjoyed them anyway.

 

By this point, I think I’ve read or seen about 80% of his canon. Not all of them recently – and I’m feeling like I should go back over some of them again. It’s been long enough that I could get an additional layer from another read.

 

I’ve been to the Shakespeare festival in Cedar City, Utah, and it’s a magnificent place. The festival makes a point of including at least one play each season that is less often performed. (That’s how I saw King John.) One of my goals in life is to have enough income to take a trip to a Shakespeare festival (preferably Cedar City or Ashland) every year.

 

And I was in a production of Midsummer – a fairly good production for a high school play. I was the most important insignificant fairy. The one at the start of Act Two, who has a conversation with Puck. I had more lines than all the fairies with names put together (take that, Moth, Cobweb, Peaseblossom, and Mustardseed!).

 

“Over hill, over dale,

Thorough bush, thorough briar,

Over park, over pale,

Thorough flood, thorough fire,

I do wander everywhere”

 

I still remember that fondly, even though I doubt I was all that good, I wanted to be Hermia, and it was a long time ago.

 

But thanks again to Mrs. Tucker for walking us all through the play. I know not everyone fell in love with William the way I did. But it had a powerful impact on at least one kid. (Probably part of my desire to be a teacher, too – this idea that I could help show kids new and wonderful works of literature just like she’d done for me.)

 

And thanks to Will for writing such timeless pieces that have meant so much to me over the years.

 

But I know I have not really experienced Shakespeare since I have not read him in the original Klingon.